John H. Houchin's Censorship of the American Theatre in the Twentieth Century PDF

By John H. Houchin

ISBN-10: 0511061315

ISBN-13: 9780511061318

ISBN-10: 0521818192

ISBN-13: 9780521818193

Arguing that theatrical censorship coincides with major demanding situations to non secular, political and cultural traditions, John Houchin explores its effect on twentieth-century American theatre. in addition to the well known instance of the home Un-American actions Committee within the Nineteen Fifties, different virtually both influential occasions affected the process the yank level throughout the century. After a precis of censorship in eighteenth- and nineteenth-century the United States, Houchin analyzes key political and theatrical occasions among 1900 and 2000.

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For the sake of her son, however, she accepts his proposal in spite of Jean’s unexpected reappearance and protestations of love. Olga Nethersole believed that the story of Fanny Le Grande conveyed a significant moral lesson to audiences. She reasoned that a story of a selfish, decadent woman who transformed herself into an exemplary BA D G I R L S, T O U G H G U Y S, A N D C H A N G I N G O F T H E G UA R D  wife and mother would inspire other morally deficient women to undertake the same process.

They had migrated to the city to find work, lived in boarding houses, and gathered together in saloons and theatres. They valued self-help, independence, fairness, generosity, and, most of all, egalitarianism. They vigorously opposed any form of pretense or class distinctions. Theirs was a distinctly masculine culture that defined itself by rowdy behavior. Typically, the B’hoys ran with the fire companies, which by the 1830s had become clubs for young workingmen, and often preferred brawling with other fire companies to extinguishing fires.

85  C EN S O R S H I P O F T H E A M ER I CA N T H E AT R E Thus, censorship of the American theatre began with fiats designed to control audiences not actors, and by 1890 American theatre auditoriums had been completely transformed. Audiences were licensed to sit quietly and witness the performance. Any response other than polite applause might be regarded as dangerous and result in eviction. 86 Legislation certainly speeded the gentrification of theatre. But the process of transforming theatres from sites of male, working-class solidarity into havens of middle-class respectability had commenced before the Civil War.

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Censorship of the American Theatre in the Twentieth Century by John H. Houchin


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