Cinema and the City: Film and Urban Societies in a Global by Mark Shiel PDF

By Mark Shiel

ISBN-10: 0470712694

ISBN-13: 9780470712696

ISBN-10: 063122243X

ISBN-13: 9780631222439

This booklet brings jointly the literature of city sociology and picture experiences to discover new analytical and theoretical methods to the connection among cinema and town, and to teach how those impression at the realities of lifestyles in city societies.

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Extra resources for Cinema and the City: Film and Urban Societies in a Global Context (Studies in Urban and Social Change)

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Scott and Edward J. Soja, The City: Los Angeles and Urban Theory at the End of the Twentieth Century (Berkeley and Los Angeles: University of California Press, 1996), p. 12. ), Cinema and Social Change in Latin America (Austin: University of Texas Press, 1986). 21 See Burton Pike, The Image of the City in Modern Literature (Princeton: Princeton University Press, 1981). ), The City Reader, p. 481. 23 As Miles, Hall, and Borden warn, in The City Cultures Reader, a balance must be achieved between the opposed tendency to exaggerate the future of the postmodern, post-industrial or electronic city, on the one hand, and the realities of massive global uneven development, on the other.

Cultures of Globalization (Durham, NC: Duke University Press, 1998), p. 63. With reference to contemporary Hollywood and consumerism, the reader is particularly referred to Justin Wyatt, High Concept: Movies and Marketing in Hollywood (Austin, TX: University of Texas Press, 1994). 18 32 33 34 35 36 37 38 39 40 41 Mark Shiel Wyatt (p. ” The most comprehensive study of the relationship of dominance and resistance between US (or Western) cinema and Third World filmmaking is undoubtedly Ella Shohat and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media (London and New York: Routledge, 1994).

This, of course, is a structural understanding of the political-economic meaning of genre in cinema, just as the construction of this book in terms of tension and conflict in globalization between sameness and difference suggests a structural understanding of that larger process. But here, perhaps, we can strike an appropriate balance between realism – the recognition of homogeneity, of the apparent stability of the structures of global capitalism (for now), of the current relatively unchallenged dominance of Hollywood cinema – and aspiration – the recognition of the persistence and potential of difference, the historical inevitability of challenges (hopefully sooner rather than later) to global capitalism and future destabilization of the ascendancy of Hollywood cinema.

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Cinema and the City: Film and Urban Societies in a Global Context (Studies in Urban and Social Change) by Mark Shiel

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